Prussian Blue
An extensive collection of information on properties, preparation, identification, and use of Prussian blue – the first modern artificial pigment.
An extensive collection of information on properties, preparation, identification, and use of Prussian blue – the first modern artificial pigment.
Pablo Picasso, ‘The Blue Room’ is a work from his Blue period. The recent scientific analysis discovered a hidden portrait of a man beneath the surface of the painting.
Han blue is a synthetic blue pigment produced and used in ancient and imperial China. It is of similar chemical composition and color as Egyptian blue.
An extensive collection of information on properties, preparation, identification, and use of YInMn blue – the recently discovered very stable blue pigment.
Timeline for blue pigments describes the historical development of blue pigments and gives the first date of use of all pigments of this colour.
Manganese blue is a modern synthetic pigment which was in production from the 1930s until the 1990s. It is not in use anymore due to environmental concerns.
Paintings containing one of the blue pigments featured at ColourLex. The full pigment analysis is shown for each painting.
An extensive collection of information on properties, preparation, identification, and use of cerulean blue – a pigment often used for painting skies.
Phthalocyanine blue is a bright blue pigment with outstanding properties which was in use by many modern painters such as Mondrian, Pollock, and others.
An extensive collection of information on properties, preparation, identification, and use of cobalt blue – a popular pigment with the Impressionists.
Blue verditer is basic copper (II)-carbonate and is the artificial form of the pigment azurite. It was used in oil painting since the 17th century.
Egyptian blue is the oldest artificially produced pigment known to Man. It was in use since about 3100 BC in ancient Egypt, India, Greece and Rome.
Van Gogh, Landscape with Couple Walking and Crescent Moon was painted in San Rémy in Provence during van Gogh’s stay in the mental hospital.
Van Gogh, The Arlesienne depicts a portrait of Madame Ginoux, the proprietress of the Café de la Gare in Arles.
Vincent van Gogh, The Schoolboy: Pigment analysis of this portrait of Camille Roulin, son of the Arles postman, Joseph Roulin.
‘Still life with a Beer Mug’ shows a table with a beer mug and some food painted in strong colors with the contrast emphasized by black and white areas.
Kandinsky, With a black Arch: In this large abstract, three discrete areas of colour laid out in triangular fashion are held in tension by an inflected line
Amadeo Modigliani, Jeanne Hébuterne: the pigment analysis of this softly glowing and swiftly executed portrait of the artist’s wife in her pregnancy.
One of the triptych of orchards painted in Arles and at least partly inspired by Japanese prints. The red and yellow organic pigments have faded with time.