Edvard Munch, The Sick Child

1885-86

Paintings sorted by     Historical period   |   Painter   |  Subject matter   |  Pigments used

Edvard-Munch-the-sick-child

Overview

Medium: oil
Support: canvas
Size: 120 x 118.5 cm
Art movement: Expressionism

Nasjonalmuseet Oslo
NG.M.00839

‘The Sick Child’ is one of Munch’s early works and according to his own words, it signifies his departure from realism. The painting in the Nasjonalmuseet Oslo is one of the six versions of the motif.

The pigment analysis reveals an exceedingly rich palette and elaborate handling of colour.  Among the pigments used by the artist are chrome yellow, yellow ochre, cobalt bluecharcoal black, emerald greenartificial ultramarine and vermilion.

Pigments

Pigment Analysis

This pigment analysis is based on the work of British and Norwegian scientists (1).

 

Edvard-Munch-the-sick-child-pigments

 

 

1 Grey area, upper left:  lead whitezinc whiteartificial ultramarinevermilion, red lake, red ochre, possibly umberemerald green or Scheele’s green and an unidentified chromium pigment.

Edvard-Munch-the-sick-child-pigments-1

 

2 Green area, lower right: lead white, artificial ultramarine, zinc white, charcoal blackbone black, red ochre, yellow ochre, possibly umber, emerald green, or Scheele’s green and a chromate pigment, possibly chrome yellow.

Edvard-Munch-the-sick-child-pigments-2

 

3 Pink area, upper tacking margin: lead white, zinc white, artificial ultramarine, vermilion, red ochre, cadmium yellowcobalt blue, and a chromate pigment, possibly chrome yellow or zinc yellow.

Edvard-Munch-the-sick-child-pigments-3

 

4 The red area on the moulding of the chest of drawers: lead white, zinc white, red ochre, yellow ochre, vermilion, umber, artificial ultramarine, emerald green, or Scheele’s green and a chromate pigment, possibly chrome yellow.

Edvard-Munch-the-sick-child-pigments-4

 

5 Paint fragment from overpainting on the damaged area, bottom right: cobalt blue and vermilion.
6 Paint fragment from the edge of the damaged area, bottom right: artificial ultramarine, vermilion, lead white, chalk.

Edvard-Munch-the-sick-child-pigments-5-6

 

 

References

(1) Brian Singer, Trond Aslaksby, Biljana Topalova-Casadiego and Eva Storevik Tveit, Investigation of Materials Used by Edvard Munch, Studies in Conservation 55, 2010, pp. 274-292.

Resources

Videos

Video: 'Edvard Munch,The Sick Child' by Thielska Galleriet

This video describes a later version of the same motif painted in 1907 and owned by Thielska Galleriet in Stockholm, Sweden.

Video: 'Edvard Munch, A collection of 1640 works' by LearnFromMasters

Video: 'Edvard Munch, The Life of an Artist' by Artists in the School

Publications and Websites

Publications

Brian Singer, Trond Aslaksby, Biljana Topalova-Casadiego and Eva Storevik Tveit, Investigation of Materials Used by Edvard Munch, Studies in Conservation 55, 2010, pp. 274-292.

Johan H. Langaard and Sigurd Willoch, Edvard Munch, Metropolitan Museum of Art, 1965. Available online and as pdf.

Plahter, Unn. “Munch’s Paintings: Scientific Research Both Recent and in Retrospect.” Public paintings by Edvard Munch and his contemporaries – change and conservation challenges, Archeype Publications (2015): 3–35.