Vivianite

Natural inorganic pigment

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Composition and Properties of Vivianite

The chemical composition of this natural pigment: hydrated iron phosphate with the formula of Fe3(PO4)2 · 8H2O. On exposure to air, the Fe2+-ions can be oxidized to Fe3+ which causes a color shift towards darker blue and blue-green.

vivianite-crystals-2

Pigment

Vivianite-painted-swatch-N

Painted swatch

Names 

Alternative names

Blue ochre

Word origin

Named after either John Henry Vivian, a Welsh-Cornish politician, mine owner and mineralogist living in Truro, Cornwall, England, or after Jeffrey G. Vivian, an English mineralogist.

From Wikipedia

Spain Flag

Vivianit

German

Spain Flag

Vivianite

French

Spain Flag

Blu de Vivianite

Italian

Spain Flag

Vivianita

Spanish

Preparation of Vivianite

The pigment is prepared from naturally occurring mineral by breaking, grounding and purifying. The whole process is shown in the video from Master Pigments below.

Video: 'Vivianite Pigment' by Master Pigments

History of Use 

It was used as a pigment since antiquity but its use in oil painting remained rare.

Vermeer, The Procuress, 1656

vermeer_procuress

 

The green part of the tablecloth, lower edge: lead white, smalt and small amounts of lead-tin-yellow. As a result of a  recent pigment analysis in 2001 (2) a new pigment rich in iron and phosphorus has been found in the grey-blue areas of the table cloth. The scientists of the Doerner Institute conducting the analysis identified this pigment as vivianite (iron phosphate).

 

Vermeer_Procuress-pigments-5

References

(1) H. Stege, C. Tilenschi und A. Unger. Bekanntes und Unbekanntes – neue Untersuchungen zur Palette Vermeers auf dem Gemälde „Bei der Kupplerin“. In: Uta Neidhardt und Marlies Giebe (Ed.), Johannes Vermeer – Bei der Kupplerin, Ausstellungskatalog Dresden 2004, pp. 76-82.

(2) Mark Richter: Die Verwendung von Vivianit in der farbigen Fassung und Malerei des Barock und Rokoko. In: Michael Kühlenthal (Hrsg.): Historische Polychromie. Hirmer, München 2004.

(3) Marika Spring, “Pigments and Colour Change in the Paintings of Aelbert Cuyp“, Aelbert Cuyp (exhibition catalog: Washington, National Gallery of Art 7.10.2001-13.1.2002). Ed. Arthur K. Wheelock Jr. Amsterdam, London 2001-2002. 65-73.

(4) Jonathan Janson, Essential Vermeer website: Rare or Unidentifiable Pigments: Schijtgeel & Vivianite.

Identification

vivianite-microphotography

Microphotograph

image © Volker Emrath

Further Reading

References

(1) David A. Scott, Eggert, Gerhard, The vicissitudes of vivianite as pigment and corrosion product, Reviews in Conservation, Volume 8, p.3-13 (2007).

(2) S. Muntwyler, J. Lipscher, HP. Schneider, Das Farbenbuch, 2nd. Ed., 2023, alataverlag Elsau, pp. 54-55.

Examples of Use in Paintings