Lemon Yellow
Artificial inorganic pigmentComposition and Properties of Lemon Yellow
Lemon yellow is a barium chromate with a formula of BaCrO4.
It decomposes in acids and also in alkalis. The pigment is rather lightfast but can change its colour to gray-green with time due to the reduction of the chromate ion to chromium 3+ ion.
Pigment
Painted swatch
NamesÂ
Alternative names
Barium chromate
Color Index
PY 31, CI 77103
Zitronengelb
German
Jaune citron
French
Limone giallo
Italian
Amarillo limón
Spanish
PreparationÂ
Attention: All chromates and dichromates are highly toxic chemicals and should not be used by people not trained to handle them.
Barium chromate can be precipitated from the aqueous solutions of potassium chromate and barium nitrate.
Video: 'Barium chromate precipitate' by ChemToddler
History of UseÂ
The French chemist Louis Vauquelin discovered the element chrome in 1797. Shortly after the possibility of using chromates as pigments was recognized and the first methods of preparation were invented.
Examples of use
Pierre-Auguste Renoir, Boating on the Seine (La Yole), ca 1879
The boat is painted in a mixture of chrome yellow (lead chromate) and lemon yellow (barium chromate). The darker orange outline contains chrome orange (basic lead chromate).Â
Claude Monet, Water-Lilies, after 1916
References
(1) Marta Felix, Vanessa Otero, Joana Pinto, Marcia Vilarigues, Leslie Carlyle, Maria João Melo, Vanessa Matias, Barium, zinc and strontium yellows in late 19th–early 20th-century oil paintings, Heritage Science, 5:46, 2017. DOI 10.1186/s40494-017-0160-3
Identification
Infrared Spectrum
- IR Spectrum of lemon yellow at National Institute for Standards and Technology (NIST).
- IR Spectrum of lemon yellow in the ATR-FT-IR spectra of different pure inorganic pigments, University of Tartu, Estonia.
Raman Spectrum
Spectrum by Ian M. Bell, Robin J.H. Clark and Peter J. Gibbs, Raman Spectroscopic Library
University College of London
Microphotograph
image © Volker Emrath
Further Reading
References
(1) Roy, A. The Palettes of three Impressionist Paintings, National Gallery Technical Bulletin, Vol 9, 1985, 12-20.
(2) David Bomford, John Leighton, Jo Kirby, Ashok Roy, Impressionism: Art in the Making, National Gallery London Publications), 1991, 172-175.
(3) S. Muntwyler, J. Lipscher, HP. Schneider, Das Farbenbuch, 2nd. Ed., 2023, alataverlag Elsau, pp. 102-103.