
Titian, Death of Actaeon
An extensive collection of information on the pigment analysis and other artistic and technical aspects of Titian, Death of Actaeon.
An extensive collection of information on the pigment analysis and other artistic and technical aspects of Titian, Death of Actaeon.
An extensive collection of information on the pigment analysis and other artistic and technical aspects of Titian, Diana and Actaeon.
An extensive collection of information on the pigment analysis and other artistic and technical aspects of Titian, Diana and Callisto.
The pigment analysis reveals a very limited palette with coal black and lead white as the main pigments. Fracastoro was the famous medical doctor who identified syphylis.
The pigment analysis reveals an elaborate structure of the quilted and padded sleeve consisting of red and blue layers.
The pigment analysis reveals a very elaborate and refined structure of the purple dress consisting of interspersed blue and red layers.
The pigment analysis reveals a very extensive palette typical of the Renaissance period and also Titian’s elaborate painting technique.
Titian, Noli me tangere is a depiction of the encounter of Christ and Magdalen. The pigment analysis underscores Titian’s masterful handling of colour.
Titian, Venus and Adonis: Exhaustive and illustrated pigment analysis of Titian’s masterpiece depicting a Greek myth.
Pigment analysis and an extensive collection of other relevant information, and resources on Titian, Sacred and Prophane Love
Feast of the Gods was painted by Bellini and later overpainted by Titian. The scientific examination reveals the details of this overpainting.
Titian, The Virgin and Child with the Infant Saint John and a Female Saint or Donor (‘The Aldobrandini Madonna’), about 1532
Titian, ‘Bacchus and Ariadne’. A classic story of love and deceit depicted by one of the greatest Italian painters of high renaissance.