Ultramarine artificial
Ultramarine artificial is the synthetic variant of the expensive natural pigment prepared from the mineral lapis lazuli.
Ultramarine artificial is the synthetic variant of the expensive natural pigment prepared from the mineral lapis lazuli.
Azurite is a natural blue pigment which has been in use since antiquity. It was much cheaper than natural ultramarine.
Pigment analysis of Cima’s ‘The Incredulity of Saint Thomas’ reveals the use of the usual Renaissance pigments applied in a very elaborate manner.
Sisley, The Watering Place at Marly-le-Roi: the pigment analysis revealed a limited palette of cobalt blue, red lake, viridian red ochre and chrome yellow.
Vivianite is a hydrated iron phosphate and it was used in medieval paintings and artworks and also by Dutch baroque painters such as Johannes Vermeer.
Renoir, At the Theatre: the pigment analysis revealed a complex and varied brushwork and the pigments usually employed by the Impressionsts.
Paintings by pigments: All paintings featured at ColourLex viewable according to the pigments (sorted by colours) used in their creation.
Monet, ‘The Gare Saint-Lazare’ is one of twelve paintings with the same subject. The rather special painting technique is described in the following text.
Spinel black is the blackest of all pigments except for the recently prepared Vantablack. It has excellent stability and hiding power.
Smalt is finely ground glass containing cobalt. Its colour is not very brilliant In oil paintings and it has often been mixed with other pigments.
Jackson Pollock, Mural is a monumental painting ordered by Peggy Guggenheim combining the traditional easel painting and the art of the large mural.
Claude Monet, ‘Lavacourt under snow’ is a mature work showing a refined and simplified technique compared to the older works.
Manet, Corner of a Café-Concert: A thorough analysis brought to light that this painting was originally part of a bigger composition which was later cut by Manet himself into two parts.
Paintings containing one of the yellow pigments featured at ColourLex. The full pigment analysis is shown for each painting.
Paintings containing one of the violet pigments featured at ColourLex. The full pigment analysis is shown for each painting.
Paintings containing one of the black pigments featured at ColourLex. The full pigment analysis is shown for each painting.
Paintings containing one of the orange pigments featured at ColourLex. The full pigment analysis is shown for each painting.
Claude Monet, The Beach at Trouville is one of the series of beach scenes showing his first wife Camille and painted in rather subdued colors.
Paintings containing one of the green pigments featured at ColourLex. The full pigment analysis is shown for each painting.
Paintings by pigments: reds – paintings where red pigments have been used.