Rembrandt, Portrait of Aechje Claesdr

1634

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Rembrandt-Portrait-of-Aechje-Claesdr

Overview

 

Rembrandt, Portrait of Aechje Claesdr is one of the several oval portraits fashionable at that time. The masterfully executed black dress and white ruff complement the expressive countenance of the old woman.

The pigment analysis revealed a limited palette consisting of red and yellow ochresbone blacklead white, and vermilion.

Date: 1634
Medium: oil
Support: oak
Size: 71.1 x 55.9 cm
Art period: Baroque

National Gallery London
NG775

Painting in the Rembrandt Database

Characterization of this painting by the scientists of the Rembrandt Research Project (1):

“A well preserved, authentic work, reliably signed and dated 1634. It is impossible to be entirely certain that the oval format is original.”

(1) J. Bruyn, B. Haak, S. H. Levie, P. J. J. van Thiel, E. van de Wetering, Portrait of an 83-year-old woman, in A Corpus of Rembrandt Paintings, vol II: pp. 571-77.

Pigments

Pigment Analysis

This pigment analysis is based on the work of the scientists at the National Gallery London (1).

 

Rembrandt-Portrait-of-Aechje-Claesdr-pigments

 

 

1 Black dress: bone black mixed with a little lead white in the lighter areas.

Rembrandt-Portrait-of-Aechje-Claesdr-pigments-1

 

2 White ruff and cap: lead white of high purity.

Rembrandt-Portrait-of-Aechje-Claesdr-pigments-2

 

3 Flesh paint: lead white tinted with vermilion and red ochre and then modified with thin scumbles of yellow ochre for the yellow areas, and a mixture of vermilion, red ochre and a little bone black for the redder areas. (Scumble: to soften the color or tone of a painted area by overlaying parts with opaque or semiopaque color applied thinly and lightly with an almost dry brush.)

Rembrandt-Portrait-of-Aechje-Claesdr-pigments-3

 

4 Background: yellow ochre and brownish-black mixed with a red lake. The more opaque greyish layer left and right contains lead white and bone black tinted with yellow ochre.

Rembrandt-Aechje-Claesdr-pigments-4

 

References

(1) Bomford, D.  et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006, pp. 70-74.

Resources

See the collection of online and offline resources such as books, articles, videos, and websites on Rembrandt in the section ‘Resources on Painters

PowerPoint Presentations

Painter in Context: Rembrandt

Painters-in-context-Rembrandt-title 

 

A richly illustrated presentation on the painting technique and pigments employed by Hieronymus Bosch specially crafted for Art Education. (Number of Slides = 20)

 

  • Each presentation starts with the basic resources on the painter such as his biography, main catalogs of his paintings, and a bibliography.
  • Next, you find slides describing the painting technique of the artist and the pigments he usually employed in his work.
  • The majority of the slides show examples of paintings containing the specific pigments.

 

Painters-in-context-Rembrandt-paintings Slides showing the basic resources on the paintings of the Dutch Baroque painter Rembrandt van Rijn. 

 

Painters-in-context-Rembrandt-painting-technique The painting technique and all pigments employed by Bosch are shown in the next slides.

Painters-in-context-Rembrandt-pigments

The majority of the slides show important examples of paintings where Rembrandt employed specific pigments. The slides are organized according to the color of the pigments.

Videos

Video: 'Rembrandt's Women' by Rembrandt Tour

Publications and Websites

Publications

(1) Bomford, D.  et al., Art in the making: Rembrandt, New edition, Yale University Press, 2006, pp. 70-74.

(2) J. Bruyn, B. Haak, S. H. Levie, P. J. J. van Thiel, E. van de Wetering, Portrait of an 83-year-old woman, in A Corpus of Rembrandt Paintings, vol II: pp. 571-77.

Websites