Vincent van Gogh, Bedroom in Arles
1888Paintings sorted by   Historical period  |   Painter  |  Subject matter  |  Pigments used
Green windows
emerald green
The dark frame of the mirror
Prussian blue
Pale yellow pillows and bedsheets
chrome yellow with an admixture of zinc white, cobalt blue, and artificial ultramarine
Dark red bead spread
vermilion
Yellow bed
chrome yellow
Blue walls and doors
Both the walls and doors were initially of a distinct violet colour and were painted in cobalt blue with mixed in carmine (cochineal) lake. Carmine is quite unstable and it was destroyed with time, so the paint layer appears blue.
Orange-red table
red lead with other pigments
Floor
The paint layer contains carmine (cochineal) lake and geranium (eosine) lake and traces of indigo. The colour of the floor has shifted towards blue as well due to the fading of the red lake pigments.
Pigment analysis: hover the mouse over the white points to learn about the pigments used at this spot.
Overview
Medium: Oil
Support: Canvas
Size: 72.4 cm x 91.3 cm
Art period: Post-Impressionism
Van Gogh Museum, Amsterdam
Object number: s0047V1962
Overview
Medium: Oil
Support: Canvas
Size: 72.4 cm x 91.3 cm
Art period: Post-Impressionism
Van Gogh Museum, Amsterdam
Object number: s0047V1962
Van Gogh painted three versions of this theme and the Amsterdam version was probably the first one. The second version is now housed in the Art Institute Chicago, the third smaller version is owned by Musée d’Orsay in Paris.
Location in Arles
Location of Van Gogh’s bedroom in the house at 2, Place Lamartine in Arles. He painted this house as the “Yellow House” and this painting is shown below.
Click to view the actual GoogleMap
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Vincent van Gogh, The Yellow House
Van Gogh Museum in Amsterdam
Related Paintings
Vincent van Gogh, Bedroom in Arles, Art Institute Chicago, 1889
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Vincent van Gogh, Bedroom in Arles, Musée d’Orsay, Paris, 1889
Pigment Analysis
Pigment Analysis
This pigment analysis is based on the work of Johanna Salvant (1)
1 Green windows: emerald green
2 The dark frame of the mirror: Prussian blue
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3 Pale yellow pillows and bedsheets: chrome yellow with an admixture of zinc white, cobalt blue, and artificial ultramarine
4 Dark red bead spread: vermilion
5 Yellow bed: chrome yellow
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6 Blue walls and doors: Both the walls and doors were initially of a distinct violet colour and were painted in cobalt blue with mixed in carmine cochineal lake. Carmine is quite unstable and it was destroyed with time, so the paint layer appears blue.
a
7 Orange-red table: red lead with other pigments
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8 Floor: The paint layer contains carmine (cochineal) lake and geranium (eosine) lake and traces of indigo. The colour of the floor has shifted towards blue as well due to the fading of the red lake pigments.
References
(1) J. Salvant, A comparative study of Vincent van Gogh’s Bedroom series, The National Gallery Technical Bulletin 30th Anniversary Conference Postprints, 2011
Pigments Used in This Painting
Video: 'Under Cover: The Science of Van Gogh's Bedrooms' by Art Institute Chicago
This documentary, produced by the Art Institute, details how conservators and scientists have been able to solve long-standing mysteries about Vincent Van Gogh’s three Bedroom paintings.
Resources
Videos
Video: 'The Painting that Helped Ease Van Gogh’s Most Turbulent Year' by Sotheby's
Video: 'Vincent van Gogh, The Bedroom in Arles' by Smarthistory
Video: 'Vincent van Gogh: The colour and vitality of his works' by National Gallery London
Publications and Websites
Publications
(1) J. Salvant, A comparative study of Vincent van Gogh’s Bedroom series, The National Gallery Technical Bulletin 30th Anniversary Conference Postprints, 2011