Vincent van Gogh, Bedroom in Arles

1888

Paintings sorted by     Historical period   |   Painter   |  Subject matter   |  Pigments used

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Green windows
emerald green

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The dark frame of the mirror
Prussian blue

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Pale yellow pillows and bedsheets
chrome yellow with an admixture of zinc white, cobalt blue, and artificial ultramarine

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Dark red bead spread
vermilion

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Yellow bed
chrome yellow

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Blue walls and doors
Both the walls and doors were initially of a distinct violet colour and were painted in cobalt blue with mixed in 
carmine (cochineal) lake. Carmine is quite unstable and it was destroyed with time, so the paint layer appears blue.

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Orange-red table
red lead with other pigments

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Floor
The paint layer contains carmine (cochineal) lake and geranium (eosine) lake and traces of 
indigo. The colour of the floor has shifted towards blue as well due to the fading of the red lake pigments.

Pigment analysis: hover the mouse over the white points to learn about the pigments used at this spot.

Overview

Medium: Oil
Support: Canvas
Size: 72.4 cm x 91.3 cm

Art period: Post-Impressionism
Van Gogh Museum, Amsterdam
Object number: s0047V1962

Van-Gogh-Bedroom-in-Arles

Overview

Medium: Oil
Support: Canvas
Size: 72.4 cm x 91.3 cm

Art period: Post-Impressionism
Van Gogh Museum, Amsterdam
Object number: s0047V1962

Van Gogh painted three versions of this theme and the Amsterdam version was probably the first one. The second version is now housed in the Art Institute Chicago, the third smaller version is owned by Musée d’Orsay in Paris.

Location in Arles

Location of Van Gogh’s bedroom in the house at 2, Place Lamartine in Arles. He painted this house as the “Yellow House” and this painting is shown below.

 

Van-Gogh-Bedroom-in-Arles-location

Click to view the actual GoogleMap

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Vincent-van-Gogh-The-yellow-house

Vincent van Gogh, The Yellow House
Van Gogh Museum in Amsterdam

Related Paintings

Vincent van Gogh, Bedroom in Arles, Art Institute Chicago, 1889

Van-Gogh-Bedroom-in-Arles-Chicago

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Vincent van Gogh, Bedroom in Arles, Musée d’Orsay, Paris, 1889

Van-Gogh-Bedroom-in-Arles-Paris 

Pigment Analysis

Pigment Analysis

This pigment analysis is based on the work of Johanna Salvant (1)

Van-Gogh-Bedroom-in-Arles-pigments

 

1 Green windows: emerald green
2 The dark frame of the mirror: Prussian blue

Van-Gogh-Bedroom-in-Arles-pigments-1-2

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3 Pale yellow pillows and bedsheets: chrome yellow with an admixture of zinc white, cobalt blue, and artificial ultramarine
4 Dark red bead spread: vermilion
5 Yellow bed: chrome yellow

Van-Gogh-Bedroom-in-Arles-pigments-3-4-5

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6 Blue walls and doors: Both the walls and doors were initially of a distinct violet colour and were painted in cobalt blue with mixed in carmine cochineal lake. Carmine is quite unstable and it was destroyed with time, so the paint layer appears blue.

Van-Gogh-Bedroom-in-Arles-pigments-6

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7 Orange-red table: red lead with other pigments

Van-Gogh-Bedroom-in-Arles-pigments-7

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8 Floor: The paint layer contains carmine (cochineal) lake and geranium (eosine) lake and traces of indigo. The colour of the floor has shifted towards blue as well due to the fading of the red lake pigments.

Van-Gogh-Bedroom-in-Arles-pigments-8

 

 

References

(1) J. Salvant, A comparative study of Vincent van Gogh’s Bedroom series, The National Gallery Technical Bulletin 30th Anniversary Conference Postprints, 2011

Video: 'Under Cover: The Science of Van Gogh's Bedrooms' by Art Institute Chicago

This documentary, produced by the Art Institute, details how conservators and scientists have been able to solve long-standing mysteries about Vincent Van Gogh’s three Bedroom paintings.

Resources

Videos

Video: 'The Painting that Helped Ease Van Gogh’s Most Turbulent Year' by Sotheby's

Video: 'Vincent van Gogh, The Bedroom in Arles' by Smarthistory

Video: 'Vincent van Gogh: The colour and vitality of his works' by National Gallery London

Publications and Websites

Publications

(1) J. Salvant, A comparative study of Vincent van Gogh’s Bedroom series, The National Gallery Technical Bulletin 30th Anniversary Conference Postprints, 2011