Amedeo Modigliani, Self-Portrait

Amedeo Modigliani, Self-Portrait

Amedeo Modigliani, Self-Portrait 1919 Paintings sorted by     Historical period   |   Painter   |  Subject matter   |  Pigments used Search for: Overview Medium: Oil Support: Canvas Size: 100 cm x 64,5 cm Art period: Expressionism, Fauvism Museum of Contemporary...
Picasso, The Blue Room

Picasso, The Blue Room

Pablo Picasso, ‘The Blue Room’ is a work from his Blue period. The recent scientific analysis discovered a hidden portrait of a man beneath the surface of the painting.

Monet, The Gare Saint-Lazare

Monet, The Gare Saint-Lazare

Monet, ‘The Gare Saint-Lazare’ is one of twelve paintings with the same subject. The rather special painting technique is described in the following text.

Manet, Corner of a Café-Concert

Manet, Corner of a Café-Concert

Manet, Corner of a Café-Concert: A thorough analysis brought to light that this painting was originally part of a bigger composition which was later cut by Manet himself into two parts.

Renoir, At the Theatre

Renoir, At the Theatre

Renoir, At the Theatre: the pigment analysis revealed a complex and varied brushwork and the pigments usually employed by the Impressionsts.

Cézanne, Bay of l’Estaque

Cézanne, Bay of l’Estaque

Pigment analysis of ‘Bay of l’Estaque’ revealed Cézanne’s rich palette with three different green, three different yellow and two different blue pigments.

Morisot, Summer’s Day

Morisot, Summer’s Day

A Summer’s Day by Berthe Morisot is a beautiful example of an outdoor scene in Bois de Boulogne which was one of her favourite subjects.

Edvard Munch, The Scream

Edvard Munch, The Scream

‘The scream’, a haunting image of a figure standing on a bridge. One of the most celebrated and recognized paintings in the history of Art.

Van Gogh, The Pink Orchard

Van Gogh, The Pink Orchard

One of the triptych of orchards painted in Arles and at least partly inspired by Japanese prints. The red and yellow organic pigments have faded with time.

Renoir, La Yole

Renoir, La Yole

Learn about Renoir’s pigments and his painting technique in this impressionist painting of boating on the Seine.