Van Gogh, Bedroom in Arles
Van Gogh, Bedroom in Arles: the pigment analysis shows the use of chrome yellow, cobalt blue, and vermilion among other pigments.
Van Gogh, Bedroom in Arles: the pigment analysis shows the use of chrome yellow, cobalt blue, and vermilion among other pigments.
Multispectral imaging of paintings widens considerably the scope of the information which can be obtained from the images in different regions of the spectrum.
After the Bath: The pigment analysis of this painting by Degas shows an extraordinary rich palette of commercially available pastel pigments mixtures.
Malevich explored pure light and pure colour by choosing pigments according to the light spectrum and employing optical phenomena.
Infrared spectroscopy is a classical analytical method for identification of pigments and binding materials in paintings.
The pigment analysis shows that Munch used a multitude of old and modern pigments to achieve the expressive colour harmony.
Bathing at La Grenouillère is a seminal work by C. Monet constituting a turning point in his development of a spontaneous painting technique ‘en plein air’.
The painting’s strength lies in the stark contrast between the calm sleeping village and the dramatic, swirling and menacing sky.
Stonemason’s Yard is another sight of Venice where the sky is painted with Prussian blue shortly after its discovery by Diesbach in Germany.
The Feastday of Saint Roch: Canaletto’s use of Prussian blue for the sky is one of the earliest occurrences of this pigment in the history of painting.
‘The scream’, a haunting image of a figure standing on a bridge. One of the most celebrated and recognized paintings in the history of Art.
Gamboge is a gum resin produced from various trees growing in south Asia. It was not frequently used in oil painting.
Timeline for red pigments describes the historical development of these pigments and gives the first date of use of all pigments of this colour.
Timeline for yellow pigments describes the historical development of these pigments and gives the first date of use of all pigments of this colour.
Timeline for orange pigments describes the historical development of these pigments and gives the first date of use of all pigments of this colour.
Timeline for brown pigments describes the historical development of these pigments and gives the first date of use of all pigments of this colour.
Timeline for green pigments describes the historical development of these pigments and gives the first date of use of all pigments of this colour.
Pigment timelines contain information on the historical development and the first dates of use for pigments of each colour.
Veronese, Christ bearing the cross, produced around 1571 on commission for the Cuccina family of Venetian cloth merchants.
Antonello da Messina, San Cassiano Altarpiece: Pigment analysis with ample information data about this important painting.